A unique tribute to the elegance and treasures of Paris
The exceptional machinery gives life to breathtaking sets. An entire city is transformed before your eyes, blurring the boundaries of space and time. A fantastical journey in which the emblems of the capital are scattered through the various scenes. The upbeat choreographies led by the famous Bluebell Girls and Lido Boys succeed one another at a frenzied pace. The extravagant hats and magnificent costumes are decorated with beautiful feathers and sparkle with a thousand lights. Dare to take a new look at Art Nouveau, stopover at the foot of our famous Iron Lady, admire the fashion shows, and much more.
THE LIDO RESONATES FOR PARIS!
No fewer than 11 prestigious designers, alongside the Lido’s teams, are behind this original production.
FRANCO DRAGONE Writer and Director
For about ten years, he invested heavily in the company’s activism. The Quebec adventure started in 1982. Spotted by Guy Laliberté, who had just founded the Cirque du Soleil, Franco participated as an author-actor in the company’s first ten shows, some of which are still touring the world with the same level of success, such as Saltimbanco or Ô. At the same time, he participated in the creation of the Archaos Circus Company in France, thus helping to ensure the respectability of what is referred to as “Nouveau Cirque”.
In 2000, he set up home in Louvière. This marked the creation of the Franco Dragone Entertainment Group, the ambition of which is to “create and present the most innovative shows in the world”. Among other things, he was the designer of “The House of Dancing Water” in Macao and “ A New Day” for Celine Dion in Las Vegas.
Benoît Swan Pouffer Choreographer
In 2005, his work for cinema, television and stage was recognised with the CITT Award in the realm of acrobatic rigging.
He then took over the direction of the sixteen dancers at the Cedar Lake Contemporary Ballet Company, where he applied his talents as a choreographer until 2013, with his artistic and avant-garde vision bringing a breath of fresh air to the New York scene.
Considered to be one of the greatest talents in the field, he now creates his dazzling choreographies in the legendary setting of the Lido.
JANE SANSBY Ballet Mistress
She danced in a large number of shows, especially in Europe, and also worked as a dance teacher.
Her adventure at the Lido started in 1993 when she was just 22 years old. She started as a Bluebell Girl and later became the head of the dance troupe.
Jane had always been seduced by the glamour of the Bluebell Girls and the magic of cabaret, so it was a dream for her to join the Lido.
Her wish was granted and she was a Bluebell Girl for 15 years.
Today, on the strength of her experience, Jane works with the Paris Lido’s performers as the ballet mistress.
Nicolas Vaudelet Costume Designer
These prestigious collaborations have allowed him to assert a very personal style, which all his creations reflect today.
A lover of Spanish aestheticism, Nicolas combines modernity and classicism to enhance his materials whilst also continuing to respect them.
He is a designer whose youth and talent make him a trend-setter in the world of fashion.
YVAN CASSAR Music Composer and Music Director
Between 1994 and 1997 he collaborated with Vangelis on several projects: the opening ceremony of the World Athletics Championships, several discs with José Carreras, Montserrat Caballé, etc.
In 1996, he became the producer and musical director of the performances by Mylene Farmer and Johnny Hallyday. At the same time, he composed music for several feature films and documentaries, participated in numerous film soundtracks and recorded songs from all over the world with many of the most prestigious artists.
It is an enormous pleasure for the Lido to welcome this great man, who has much more than one string to his bow.
SAULE Music Co-Composer and Lyricist
Two albums later, he came to the attention of two leading names in the world of French music, Dominique A. and Bénabar, with whom he toured.
Spotted by Franco Dragone, he finally returned to the stage and it is a great delight to be able to enjoy him at the Lido.
JEAN RABASSE Set designer
He has sown his genius in many areas, from film sets to theatre design for dance, opera and circus productions.
Rewarded in 1996 with the César for Best Production Design for The City of Lost Children, he returned again in 2001 for Vatel. These awards are the culmination of an impressive career in film, ranging from Vidocq to Asterix, and including the very Parisian Faubourg 26 and the unforgettable Delicatessen.
JAY SMITH Creative Director
After his studies in Dance and Theatre at Butler University in Indianapolis, he began his career as a choreographer and producer for Walt Disney World.
He remained there for 18 years, arranging shows, parades, special events, arena shows, premieres and televised events from the amusement parks.
With a wealth of international experience in creation and production, in 2010 he joined the Dragone group, of which, today, he is an eminent artistic director.
JAQUE PAQUIN Human Performance and Machinery Designer
The Quebec-born artist places his imagination and his technical skills at the service of suspension systems: he literally makes artists and sets fly! He was the man behind the magical Spiderman show on Broadway, and he has participated in several Cirque du Soleil performances since 1990.
Continually looking for ways to increase the dramatic power of a scene or a number, Jaque leaves the hallmark of his unique talent on each of his devices and collaborations.
Patrice Besombes Lighting Designer
Inspired by the greatest French lighting engineers, he applies the techniques used in cinema to theatre and dance. In his shows, he uses light to sculpt faces, constantly seeking to transport the image ever further.
He honed his talents at the ceremony of the 50th Cannes Film Festival.
PATRICK NEYS Video Content Designer
A brilliant creator of content for live shows, his talents are now being put to work at the Lido, Paris.
OLIVIER SIMOLA Assistant Stage Director & Video Content Designer
As a member of DCA since 1995, he quickly became one of the pillars of the company, leaving his mark on several of its creations.
He collaborated in the ceremonies for the 50th anniversary of the Cannes Festival.
As a video-maker and choreographer, Olivier Simola has nurtured an inventive approach which revolves around both the singular and collective universe.
THE BLUEBELL GIRLS
Each artist is selected meticulously by the Ballet Master on the basis of very strict criteria. Dance techniques, artistic qualities, personality and physical harmony, nothing is left to chance. This precision has largely contributed to the company’s reputation, in particular in terms of the dancer's height, something which is of prime importance. A Bluebell Girl must not measure less than 1.75 m and a Boy 1.83 m.
For almost 70 years, the famous company has continued to reinvent itself by preserving that which constitutes the essence of the Bluebell Girls: excellence, precision and energy regardless of the situation. It is this intensity, to date unequalled in the history of show business and music hall around the world, which ensures the great pleasure of spectators.